Theory versus creativity in design

Creativity Can Be Developed Contrary to what many people believe, however, creativity is not handed out to anointed individuals at birth. Many psychologists agree that creativity is distributed throughout the population. Some think that people use less of their natural creative abilities as they mature and become more conventional. However you think about your own creativity, know that you can develop and enhance your skills.

Theory versus creativity in design

Ancient views[ edit ] Most ancient cultures, including thinkers of Ancient Greece[10] Ancient Chinaand Ancient India[11] lacked the concept of creativity, seeing art as a form of discovery and not creation.

The ancient Greeks had no terms corresponding to "to create" or "creator" except for the expression "poiein" "to make"which only applied to poiesis poetry and to the poietes poet, or "maker" who made it.

Plato did not believe in art as a form of creation. Asked in The Republic[12] "Will we say, of a painter, that he makes something?

Boorstin"the early Western conception of creativity was the Biblical story of creation given in the Genesis. In the Judaeo-Christian tradition, creativity was the sole province of God; humans were not considered to have the ability to create something new except as an expression of God's work.

However, none of these views are similar to the modern concept of creativity, and the individual was not seen as the cause of creation until Theory versus creativity in design Renaissance. This could be attributed to the leading intellectual movement of the time, aptly named humanismwhich developed an intensely human-centric outlook on the world, valuing the intellect and achievement of the individual.

Theory of Development

However, this shift was gradual and would not become immediately apparent until the Enlightenment. In particular, they refer to the work of Francis Galtonwho through his eugenicist outlook took a keen interest in the heritability of intelligence, with creativity taken as an aspect of genius.

In his work Art of Thought, published inWallas presented one of the first models of the creative process. In the Wallas stage model, creative insights and illuminations may be explained by a process consisting of 5 stages: Wallas' model is often treated as four stages, with "intimation" seen as a sub-stage.

Wallas considered creativity to be a legacy of the evolutionary process, which allowed humans to quickly adapt to rapidly changing environments. Simonton [21] provides an updated perspective on this view in his book, Origins of genius: Darwinian perspectives on creativity.

Guilford 's address to the American Psychological Associationwhich helped popularize the topic [24] and focus attention on a scientific approach to conceptualizing creativity.

It should be noted that the London School of Psychology had instigated psychometric studies of creativity as early as with the work of H.

Creativity Can Be Developed

Hargreaves into the Faculty of Imagination, [25] but it did not have the same impact. Statistical analysis led to the recognition of creativity as measured as a separate aspect of human cognition to IQ -type intelligence, into which it had previously been subsumed.

Guilford's work suggested that above a threshold level of IQ, the relationship between creativity and classically measured intelligence broke down. Kaufman and Beghetto introduced a "four C" model of creativity; mini-c "transformative learning" involving "personally meaningful interpretations of experiences, actions, and insights"little-c everyday problem solving and creative expressionPro-C exhibited by people who are professionally or vocationally creative though not necessarily eminent and Big-C creativity considered great in the given field.

This model was intended to help accommodate models and theories of creativity that stressed competence as an essential component and the historical transformation of a creative domain as the highest mark of creativity.

It also, the authors argued, made a useful framework for analyzing creative processes in individuals. Craft makes a similar distinction between "high" and "little c" creativity.

Mihaly Csikszentmihalyi [31] has defined creativity in terms of those individuals judged to have made significant creative, perhaps domain-changing contributions. Simonton has analysed the career trajectories of eminent creative people in order to map patterns and predictors of creative productivity.

Theory versus creativity in design

Interpretation of the results of these studies has led to several possible explanations of the sources and methods of creativity. Incubation[ edit ] Incubation is a temporary break from creative problem solving that can result in insight.

Ward [34] lists various hypotheses that have been advanced to explain why incubation may aid creative problem-solving, and notes how some empirical evidence is consistent with the hypothesis that incubation aids creative problem-solving in that it enables "forgetting" of misleading clues.

Absence of incubation may lead the problem solver to become fixated on inappropriate strategies of solving the problem. This allows for unique connections to be made without your consciousness trying to make logical order out of the problem.

Guilford [38] drew a distinction between convergent and divergent production commonly renamed convergent and divergent thinking. Convergent thinking involves aiming for a single, correct solution to a problem, whereas divergent thinking involves creative generation of multiple answers to a set problem.

Divergent thinking is sometimes used as a synonym for creativity in psychology literature. Other researchers have occasionally used the terms flexible thinking or fluid intelligencewhich are roughly similar to but not synonymous with creativity.

Some evidence shows that when people use their imagination to develop new ideas, those ideas are heavily structured in predictable ways by the properties of existing categories and concepts. The EII theory relies mainly on five basic principles, namely: The co-existence of and the difference between explicit and implicit knowledge; The simultaneous involvement of implicit and explicit processes in most tasks; The redundant representation of explicit and implicit knowledge; The integration of the results of explicit and implicit processing; The iterative and possibly bidirectional processing.

A computational implementation of the theory was developed based on the CLARION cognitive architecture and used to simulate relevant human data.

This work represents an initial step in the development of process-based theories of creativity encompassing incubation, insight, and various other related phenomena. Conceptual blending In The Act of CreationArthur Koestler introduced the concept of bisociation — that creativity arises as a result of the intersection of two quite different frames of reference.

In the s, various approaches in cognitive science that dealt with metaphoranalogyand structure mapping have been converging, and a new integrative approach to the study of creativity in science, art and humor has emerged under the label conceptual blending.

Honing theory[ edit ] Honing theory, developed principally by psychologist Liane Gaboraposits that creativity arises due to the self-organizing, self-mending nature of a worldview.Case Studies vs. Grounded Theory Case study research must have a theoretical 3 ways theory is used in case study design: Theory testing case studies researcher's creativity within a clear frame of stages.

Creativity is a phenomenon whereby something new and somehow valuable is formed. The created item may be intangible (such as an idea, a scientific theory, a musical composition, or a joke) or a physical object (such as an invention, a literary work, or a painting)..

Theory versus creativity in design

Scholarly interest in creativity is found in a number of disciplines, primarily psychology, business studies, and cognitive. Color Meaning Red. Red is the color of fire and blood, so it is associated with energy, war, danger, strength, power, determination as well as passion, desire, and love.

Creativity and the Design Process Creativity is a quality that is highly valued, but not always well understood.

Those who have studied and written about it stress the importance of a kind of flexibility of mind. This article reviews the literature on the contingency theory of management accounting since the review by the author. It traces the expansion of this literature and critically outlines some of the major themes explored over this period.

The creativity of the design is thus influenced by all these factors. Creativity and originalityThere is a particular example in this design exercise that makes one reflect upon the very nature of what is meant by ‘creative design’ and the notions of .

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